Charlotte of Mecklenburg-Strelitz

Charlotte of Mecklenburg-Strelitz
Charlotte Mecklenburg-Strelitz, by studio of Allan Ramsay, 1762
Queen consort of Great Britain and Ireland later of the United Kingdom and of Hanover
Tenure	8 September 1761 – 17 November 1818 (&000000000000005700000057 years, &000000000000007000000070 days)
Coronation	22 September 1761
Spouse	George III
Issue
George IV Frederick, Duke of York and Albany William IV Charlotte, Queen of Württemberg Edward Augustus, Duke of Kent and Strathearn Princess Augusta Sophia Elizabeth, Langravine of Hesse-Homburg Ernest Augustus I, King of Hanover Augustus Frederick, Duke of Sussex Adolphus, Duke of Cambridge Mary, Duchess of Gloucester and Edinburgh Princess Sophia Prince Octavius Prince Alfred Princess Amelia
Full name
Sophia Charlotte
House	House of Hanover (by marriage) House of Mecklenburg-Strelitz (by birth)
Father	Charles I Ludwig Frederick, Duke of Mecklenburg-Strelitz
Mother	Princess Elizabeth Albertine of Saxe-Hildburghausen
Born	19 May 1744(1744-05-19) Mirow, Mecklenburg-Strelitz
Died	17 November 1818(1818-11-17) (aged 74) Kew Palace, London
Burial	2 December 1818 St George's Chapel, Windsor

Charlotte of Mecklenburg-Strelitz (19 May 1744 – 17 November 1818) was a Princess of Mecklenburg-Strelitz and Queen of the United Kingdom as the consort of King George III. She was also the Duchess of Brunswick-Lüneburg and electress of Hanover in the Holy Roman Empire until the promotion of her husband to King of Hanover on 12 October 1814, which made her Queen consort of Hanover.

Queen Charlotte was a patroness of the arts, known to Johann Christian Bach and Wolfgang Amadeus Mozart, among others. She was also an amateur botanist who helped expand Kew Gardens. George III and Charlotte had 15 children, 13 of whom survived to adulthood.

Early life

Charlotte's birthplace, Schloss Mirow

Sophia Charlotte was born on 19 May 1744. She was the youngest daughter of Duke Charles Louis Frederick of Mecklenburg-Strelitz, Prince of Mirow and his wife, Princess Elizabeth Albertine of Saxe-Hildburghausen.

She was a granddaughter of Adolf Frederick II, Duke of Mecklenburg-Strelitz by his third wife, Christiane Emilie Antonie, Princess of Schwarzburg-Sondershausen. Her father's elder half brother reigned from 1708 to 1753 as Adolf Friedrich III.

The children of the duke were all born at Schloss Mirow, a modest palace, or rather country house. The daily life at Mirow was nearly that of the family of some simple English country gentleman.^[1] The morning was devoted to study and instruction in needlework, embroidery, and lace-making, in which the daughters were very skilful. They were brought up in the most careful way, receiving an admirable education, and were grounded in religious principles under the direction of their mother.^[2] They were further directed by M. Gentzner, a Lutheran minister of many accomplishments, who had a particular knowledge of botany, mineralogy, and science.^[1]

Marriage

When King George III succeeded to the throne of the United Kingdom upon the death of his grandfather, George II, it was considered right that he should seek a bride who could fulfil all the duties of her exalted position in a manner that would satisfy the feelings of the country at large.^[3] George was originally smitten with Lady Sarah Lennox, sister of the Duke of Richmond, but his mother the Dowager Princess of Wales and his political advisor Lord Bute advised against the match, and George abandoned the idea.

Charlotte's husband, George III of the United Kingdom

Colonel Graeme, who had been sent to the various courts of Germany on a mission of investigation, reported the charms of character and the excellent qualities of mind possessed by the seventeen year old Princess Charlotte.^[4] While she certainly was not a beauty, her countenance was very expressive and showed extreme intelligence; she was not tall, but had a slight, rather pretty figure; her bright eyes sparkled with good humour and vivacity; her mouth was large, but filled with white and even teeth; and her hair was a beautiful light brown colour.^[3]

The King announced to his Council in July 1761, according to the usual form, his intention to wed the Princess, and Lord Hardwicke was despatched to Mecklenburg to solicit her hand in the King's name.^[5] Charlotte's brother Adolf Friedrich IV, Duke of Mecklenburg-Strelitz and widowed mother, who actively sought a prominent marriage for the young princess, received him with every honour that the little court was capable of showing him, and he returned within a month of departure after having completed all the necessary preliminaries, well pleased with his mission.^[5]

By the end of August 1761, the escort arrived that was to conduct Princess Charlotte to England: the Duchess of Ancaster, the Duchess of Hamilton, both Ladies of the Bedchamber; Mrs. Tracey, Bedchamber Woman; Earl Harcourt, Proxy for the King; and General Graeme, set out on their route.^[3] A most dreadful storm of thunder overtook them, and lightning set fire to several trees along a road through which they had to pass.^[6]

They arrived nevertheless in safety at Cuxhaven, and embarked on a squadron of British yachts and warships under Admiral Anson (including the specially renamed HMY Royal Charlotte). They were nine days at sea due to a storm, the voyage being usually accomplished in about three days. Instead of going on to land at Greenwich, where everything was prepared for the reception of the Princess, Admiral Anson thought it better to make for the nearest port and docked at Harwich, where they remained at anchor for the night. This was on Sunday, the 6th of September, and landing the next morning they travelled to Essex, where they rested, and then continued their journey towards London. Arriving at St. James's Palace on 7 September, she met the King and the royal family. The following day at nine o'clock (8 September) the ceremony took place in the Chapel Royal and was performed by the Archbishop of Canterbury, Thomas Secker.^[7]

Life as Queen

Queen Charlotte with her children and brothers, by John Zoffany, 1771-72

In 1767, Francis Cotes drew a pastel of Queen Charlotte with her eldest daughter Charlotte, Princess Royal. Lady Mary Coke called the likeness "so like that it could not be mistaken for any other person".^[8]

Unfortunately, there can be little doubt that the early married life of the young Queen was scarcely a happy one. The King was worried with ministerial troubles, and the princess dowager, secure in the support of the favourite Lord Bute, was able to exert all the influence and authority which age and knowledge of the world and the position of a parent would give her over a young and inexperienced couple.^[9] The young queen was unable to resist, and a sort of palace despotism developed where her mother-in-law controlled all her actions. The king himself, strongly under his mother's influence, was not inclined to interfere, and assumed that all was done rightly. Already she was not allowed to be too intimate with the English ladies of her household. It was laid down as being formal etiquette of the court that they should not approach her save under the direction of her German attendants. Card-playing, which she loved, was presently interdicted.^[10]

Naturally, too, there were the German and the English factions of dependents; each jealously contending for their royal mistress's favour, dictating the terms and conditions of their service, and threatening to go back to Germany unless particular privileges were given them. The poor queen had about as much anxiety and trouble with her dependents as her husband had with his insubordinate ministers or servants.^[11]

Despite this the marriage was a success, and on 12 August 1762, the Queen gave birth to her first child, the Prince of Wales, who would later become George IV. On 13 September, the Queen attended went to the Chapel Royal to offer the usual thanksgiving which took place after childbirth. The ceremony of christening the Prince of Wales, which took place at St. James's Palace, was attended with every circumstance of splendour. The cradle upon which the infant lay was covered with a magnificent drapery of Brussels lace.^[12] In the course of their marriage, they had 15 children, all but two of whom (Octavius and Alfred) survived into adulthood.

Around this time the King and Queen moved to Buckingham House, at the western end of St. James's Park, which would later be known as Buckingham Palace. The house which forms the architectural core of the present palace was built for the first Duke of Buckingham and Normanby in 1703 to the design of William Winde. Buckingham House was eventually sold by Buckingham's descendant, Sir Charles Sheffield, in 1761 to George III for £21,000^[13] (£3,000,000 as of 2011).^[14]

The house was originally intended as a private retreat, and in particular for Charlotte, and was known as The Queen's House^[15]—14 of their 15 children were born there. St. James's Palace remained the official and ceremonial royal residence.^[16]

Interests and patronage

"Patroness of Botany, and of the Fine Arts"

George III and Queen Charlotte were music connoisseurs and passionate admirers of George Frideric Handel; both had German taste, and gave special honour to German artists and composers.^[17]

In 1764 Wolfgang Amadeus Mozart, then aged eight, arrived in Britain with his family as part of their grand tour of Europe and remained from April, 1764, until July, 1765.^[18] The Mozarts were summoned to court on 19 May, and played before a limited circle from six to ten o'clock. Johann Christian Bach, eleventh son of the great Johann Sebastian Bach, was then music-master to the Queen, put the difficult works of Handel, Bach, and Abel before the boy. He played them all at sight, and those present were quite amazed.^[19] Afterwards he accompanied the Queen in an aria which she sang, and played on the flauto traverno in a solo.^[20] On 29 October, they were in town again, and were invited to court to celebrate the fourth anniversary of the King's accession. As a memento of the royal favour, his father Leopold Mozart published six sonatas composed by Wolfgang, known as Mozart's Opus 3, and were dedicated to the Queen on 18 January 1765, dedication she rewarded with a present of fifty guineas.^[21]

Queen Charlotte was an amateur botanist who took a great interest Kew Gardens, and, in an age of discovery, when travellers and explorers such as Captain Cook and Sir Joseph Banks were constantly bringing home new species and varieties of plants, saw that the collections were greatly enriched and expanded.^[22] Her interest in botany led to the magnificent South African flower, the Bird of Paradise, being named Strelitzia reginae in her honour.^[23]

Among the royal couple's favored craftsmen and artists were the cabinetmaker William Vile, silversmith Thomas Heming, the landscape designer Capability Brown, and the German painter Johann Zoffany, who frequently painted the king and queen and their children in charmingly informal scenes, such as a portrait of Queen Charlotte and her children as she sat at her dressing table.^[24]

The queen also founded orphanages and a hospital for expectant mothers. The education of women was a great importance to her, and she saw to it that her daughters were better educated than was usual for young women of the day. However, she insisted that her daughters live restricted lives close to their mother, and refused to allow them to marry until they were well-advanced in years, with the result that none of her daughters had legitimate issue (one, Princess Sophia, may have had an illegitimate son).

In 2004, the Queen's Gallery at Buckingham Palace staged an exhibition illustrating George and Charlotte's enthusiastic arts patronage, which was particularly enlightened in contrast to that of earlier Hanoverian monarchs; it compared favorably to the adventuresome tastes of the king's father, Frederick, Prince of Wales.

Up until 1788, portraits of Charlotte often depict her in maternal poses with her children, and she looks young and contented.^[25] However, in that year her husband fell seriously ill and became temporarily insane. It is now thought that the King was suffering from a genetic metabolic disorder, porphyria, but at the time the cause of the King's illness was unknown. Sir Thomas Lawrence's portrait of her at this time marks a transition point after which she looks much older in her portraits. Indeed, the Assistant Keeper of Charlotte's Wardrobe, Mrs. Papendiek, wrote that the Queen was "much changed, her hair quite grey".^[26]

Relations with Marie Antoinette

Charlotte sat for Sir Thomas Lawrence in September 1789. His portrait of her was exhibited at the Royal Academy the following year. Reviewers thought it "a strong likeness".^[27]

The French Revolution of 1789 probably added to the strain that Charlotte felt.^[28] Queen Charlotte and Queen Marie Antoinette of France kept a close relationship. Queen Charlotte was 11 years older than the Queen of France yet they shared many interests, such as their love of music and the arts in which they both enthusiastically took an interest. Never meeting face to face they kept the friendship to pen and paper. Marie Antoinette confided in the Queen of Great Britain upon the outbreak of the French Revolution. Queen Charlotte had even organized apartments to be prepared and ready for the refugee royal family of France to stay in.^[29] After the execution of Marie Antoinette and the bloody events that followed, Queen Charlotte was said to be shocked and overwhelmed that such a thing could happen to a kingdom, and right on Britain's doorstep.

Husband's illness

After the onset of his madness, George III was placed in the care of his wife, who could not bring herself to visit him very often, due to his erratic behaviour and occasional violent reactions. However, Charlotte remained supportive of her husband as his illness, now believed to be porphyria, worsened in old age. While her son, the Prince Regent, wielded the royal power, she was her husband's legal guardian from 1811 until her death in 1818.

Later life

The queen died in the presence of her eldest son, the Prince Regent, who was holding her hand as she sat in an armchair at the family's country retreat, Dutch House in Surrey (now known as Kew Palace). She was buried at St George's Chapel at Windsor Castle. Her husband died just over a year later. She is the second longest-serving consort in British history, having served as such from her marriage (on 8 September 1761) to her death (17 November 1818), a total of 57 years and 70 days.

Her eldest son, the Prince Regent, claimed Charlotte's jewels at her death, but the rest of her property was sold at auction from May to August 1819. Her clothes, furniture, and even her snuff was sold by Christie's.^[30] It is highly unlikely that her husband ever knew of her death, and he died, blind, deaf, lame and insane, fourteen months later.

Issue

See also: Descendants of George III and Queen Charlotte

Ancestry

Legacy

Claims of African ancestry

Mario de Valdes y Cocom, a historian of the African diaspora, has argued^[31] that Allan Ramsay, a noted abolitionist, frequently painted the Queen in works said to emphasize the alleged mulatto appearance of Charlotte, and that Ramsay's coronation portrait of Charlotte was sent to the colonies and was used by abolitionists as a de facto support for their cause. Valdes y Cocom goes on to state that, along with descriptions of a "mulatto face" (as, supposedely, Baron Stockmar, whom Valdes y Cocom wrongly considers Queen Charlotte's personal physician^[32], wrote in his autobiography)^[31][33], the Queen's features had also been described as Vandalic, as exemplified by a poem written for the occasion of her marriage ("most literary of these allusions", according to Valdes y Cocom)^[31]:

"Descended from the warlike Vandal race,

She still preserves that title in her face.

Tho' shone their triumphs o'er Numidia's plain,

And Andalusian^[34] fields their name retain;

They but subdued the southern world with arms,

She conquers still with her triumphant charms,

O! born for rule, - to whose victorious brow

The greatest monarch of the north must bow."

Valdes y Cocom does not seem to take notice that the Vandals were a Germanic people originating from Northern Europe, that migrated first to Andalusia (modern southern Spain) in 409 CE, and afterwords to North Africa in 429 CE (namely to Numidia, were they established the Vandal Kingdom in North Africa), and that this poem is a eulogy linking Queen Charlotte to that distant Germanic nation, further straining the credulity of Charlotte's supposed Sub-Saharan African ethnicity. However, the phrase Vandal race, used to describe Queen Charlotte, is linked with an official ducal title of the House of Mecklenburg: Princeps Vandalorum, i.e. Prince of Wends, because of their overt Slavic origin.^[35][36]

All this has led Mario de Valdes y Cocom to inquire about her ancestry and research her genealogy. Still according to Valdes y Cocom, one of the possibilities for Queen Charlotte's supposed racial features is that they were a concentration of traits inherited through three to six lines from a nine times removed ancestor of hers, Margarita de Castro e Souza, a 15th century Portuguese noblewoman who traced her ancestry six generations earlier to King Afonso III of Portugal and one of his lovers, Madragana.

Critics of this theory argue that Margarita's and Madragana's distant perch in the queen's family tree, respectively 9 and 15 generations removed, makes any presumed African ancestry, Northern or sub-Saharan, negligible and no more significant in Charlotte than in any other member of any German royal house at that time, and therefore that Charlotte could hardly be accurately described as "mulatto" or "African".^[37]

Even more, Valdez y Cocom assumed that Madragana was a Black African woman. In fact, a single author, Duarte Nunes de Leão, described her as a Moor^[38], that is to say, in the context of the Iberian Reconquista, someone of Islamic religion, regardless of actual ethnic origin (and that could have been Arab, North African Berber, or Muladi - native Iberian European Christians who converted to Islam after the arrival of the Moors, all of whom can be described as Caucasian or White). Modern researchers, however, believe Madragana to have been a Mozarab, that is to say an Iberian Christian living under Muslim control, of Sephardi Jewish origin.^[39]

Valdez y Cocom has also argued, trying to defend the African origin of Queen Charlotte, that the Royal Household itself, at the time of Queen Elizabeth II's coronation in 1952, referred to both her Asian and African bloodlines in an apologia it published defending her position as head of the Commonwealth.^[31] This is denied by Buckingham Palace.^[40]

The issue remains important to Afrocentrists.

Portrayals

Gary Lloyd's novel Mulatto Queen is built on Valdez's claims. Queen Charlotte was played by actress Frances White in the 1979 BBC series Prince Regent and later by Helen Mirren in the film The Madness of King George (1994).

Titles, style, honours and arms

Styles of Queen Charlotte
Reference style	Her Majesty
Spoken style	Your Majesty
Alternative style	Ma'am

Arms of Charlotte of Mecklenburg-Strelitz.^[41]

Titles and styles

• 19 May 1744 – 8 September 1761: Her Serene Highness Princess Charlotte of Mecklenburg^[42]
• 8 September 1761 – 17 November 1818: Her Majesty The Queen

Arms

The Royal Coat of Arms of the United Kingdom are impaled with her father's arms as Duke of Mecklenburg-Strelitz.

Notes and sources

References

• Hedley, Olwen (1975). Queen Charlotte J Murray ISBN 0-7195-3104-7
• Levey, Michael (1977). A Royal Subject: Portraits of Queen Charlotte. London: National Gallery.

External links and references

• Queen Charlotte, 1744–1818: A Bilingual Exhibit (c1994)
• The Blurred Racial Lines of Famous Families — Queen Charlotte at the PBS site
• Charlotte of Mecklenburg-Strelitz at Genealogics
• Royal Genealogies
• King George III: Mad or Misunderstood?
• The Search for Princess Charlotte
• Archival material relating to Charlotte of Mecklenburg-Strelitz listed at the UK National Register of Archives
• "Was this Britain's first black queen?" by Stuart Jeffries - The Guardian (March 2009)
• Margarida de Castro e Souza's full genealogy in a Portuguese Genealogical site

House of Mecklenburg-Strelitz Founded by Adolphus Frederick II, Duke of Mecklenburg 1st generation Adolphus Frederick III  · Magdalene  · Marie  · Eleonore  · Gustave Caroline  · Sophie Charlotte  · Charles Louis Frederick 2nd generation Marie Sophie  · Magdalene  · Christiane  · Caroline  · Adolphus Frederick IV  · Elisabeth  · Sophie Luise  · Charles II  · Ernst  · Charlotte  · Gotthilf  · George Augustus 3rd generation Charlotte Georgine  · Caroline Auguste  · Georg Carl  · Therese  · Friedrich Carl  · Louise  · Frederica  · George  · Carl  · Auguste Albertine  · Charles 4th generation Luise  · Frederick William  · Caroline  · George 5th generation Frederick William  · Adolphus Frederick V  · Nicholas  · Helene  · George Alexander  · Charles Michael 6th generation Marie  · Jutta  · Adolphus Frederick VI  · Carl Borwin  · George 7th generation Georg Alexander  · Helene  · Carl Gregor 8th generation Elisabeth Christine  · Marie Catherine  · Irene  · Borwin 9th generation Olga  · Alexander  · Michael